Korean electronica seems to follow no specific trail, allowing different acts to explore and experiment with different styles. It appears that the jazz influence still sits highest with many bands.

Demicat isn’t so much electronica as Jazz lounge and presents a kind of a nostalgic sound of some older bands. Tomorrow Sucks is the second full-length and I’m not sure if there was growth with this album or not.

Given about a year ago, I would have found this album a good listen of the Jazz lounge genre, but it sounds dated now which is a bit of a shame because it could have hit its mark just a little while ago.